Iwonicz Zdroj, Poland 2006 . . . Rzeszow, Poland 2005 . . . Puerto Rico 2005 . . . Mexico 2004 . . . Brazil 2004 . . . St. Marie de Beuace Quebec 2004 . . . London 2004 . . . Buffallo USA 2004 . . . Peru 2003 . . . Portugal 2003 . . . Drummondville Quebec 2003 . . . Buffallo USA 2003 . . . Philadelphia USA  2002 . . . Halifax Canada 2002 . . . New York USA 2001 . . . Rzeszow Poland 1999 . . . Los Angeles USA 1997 . . . Rzeszow Poland 1996 . . . Macau China 1993 . . . . . . . these are only some of the trips . . . . .

Since 1996 Artistic Director Ted Zdybal has brought the ensemble into a new technical and creative era. With the same values as its founders, he has instilled in the youth a dedication to the professional interpretation, presentation and expression of historical and contemporary Polish cultural traditions and values. The 120 member strong ensemble is comprised of individuals who devote themselves to the cultivation of their ancestors' folk culture through song and dance. The representative group consists of students at the high school and university levels as well as young professionals; while two children's performing ensembles train and develop to continue the legacy as the future representatives of White Eagle.

The White Eagles have traveled internationally and performed extensively for audiences throughout Canada, the continental United States, Brazil, Mexico, Portugal, Peru, Puerto Rico, Poland and Macao, China. The ensemble has also countless radio and television appearances to its’ credits. One of the ensemble’s most memorable performances was during the Papal visit to Toronto in 1984 when they had the privilege to perform for His Holiness Pope John Paul II.  In 2003 the group's travels were highlighted by the honour of meeting, performing and praying with Sister Lucia of Fatima.  This private audience was held in the closed chambers of the Carmelite Sisters Convent in Coimbra, Portugal.

Costumes are an integral part of the show. The White Eagle Polish Song and Dance Ensemble maintains a diverse repertoire and wardrobe of Polish folk and court dances. The dynamic rhythms and movements of dances are accentuated by the richly embroidered authentic national and regional costumes, which are of exceptional historical and ethnographic value. Over 300 lavish costumes are presented during a two-hour stage production. Collected over the years, these costumes are made of pure wool, linen, cotton and silk that feature finely hand-embroidered colorful designs and are handcrafted by the best masters of folk art.

Since its inauguration in 1966 Bialy Orzel continues to be a foundation for youth in discovering and maintaining their cultural identity through the preservation of folklore. Notable mention can be given to the ensemble's philosophy of not only entertaining but also educating audiences and dancers alike. Most recently, the ensemble's Artistic Director has taken on the task of researching, exploring, collecting and staging folklore from "unknown" Polish sub-regions in which ethnographically, people differentiate themselves.  Strong emphasis is made to the commitment of discovering our roots by creating a new existence to the songs, dances and traditions of our forefathers and their ancient folklore that otherwise may have been lost.  This is achieved through our recognition of the existence the many identifiable and diverse ethnographic and ethnic groups within and beyond Poland’s borders (i.e. the folklore of the Czadeckie Highlanders-Poles living in Romania, Roma – Cyganskie, Chelm, Leczyce, Szczyrzyce, Pszczyna, Jasliska and Lasowiaks).  Mr. Zdybal’s recent activities not only add to the expansion of our repertoire and costume collections, but also explores the diverse realms and aspects of Poland’s ornate folk heritage.

Throughout the generations, the immense dedication, love & tireless efforts shared by young artists, teachers, and parents has contributed to Bialy Orzel’s mandate of presenting the rare treasures and exquisiteness of Poland, is realized.  The creative synergy of both the Administrative and Artistic Teams enthusiastically strive for a balance, dedicated to opportunity and imaginative development with an unmistakable focus on highly theatrical values.